Fri 26 Jul 2024

 

2024 newspaper of the year

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Exhibitions

Article thumbnail: ?Leonora Carrington: Rebel Visionary? 12 July to 26 October 2024 Newlands House Gallery Kati Horna Portrait of Leonora Carrington in her studio, 1956 Credit - courtesy of the Leonora Carrington Council and rossogranada Provided by tracy@brera-london.com
Arts

Leonora Carrington: The female surrealist Britain never understood

The captivating new show Rebel Visionary at Newlands House Gallery finally starts to shed light on the work of this enigmatic artist

Arts

I was sceptical about Barbie: The Exhibition - but I was wrong

Arts

The V&A's Naomi Campbell exhibition is a grotesque hagiography

Article thumbnail: Men and Boys, Southam Street, London 1959 by Roger Mayne (Photo: Roger Mayne Archive / Mary Evans Picture Library)
Arts

Zanele Muholi, Tate Modern review: Black queer photography as urgent as it gets

Arts
Interview

'I tried to be a guy. I got tired of it': Judy Chicago's life in feminist art

Article thumbnail: Now You See Us: Women Artists in Britain 1520 - 1920 6 May ? 13 October 2024 Tate Britain, Millbank, London Maria Cosway, Georgiana as Cynthia from Spenser's 'Faerie Queene', 1781-82. Reproduced by permission of Chatsworth Settlement Trustees/Bridgeman Images Image from https://www.tate.org.uk/press/press-releases/now-you-see-us Terms of Loan These images are on loan to you, and are accepted by you under the following terms and conditions: - That the reproductions are accompanied by the artist, title, date, lender and copyright line; - That the reproductions are not cropped, overprinted, tinted or subject to any form of derogatory treatment without the prior approval of the copyright owner; - That the images are only reproduced to illustrate an article or feature reviewing or reporting on Now You See Us: Women Artists in Britain 1520-1920 (section 30 (i) and (ii) of the Copyright, Designs and Patents Act 1988); - That for online use the images are reproduced at 72 ppi with a maximum measurement of 25cm; - That any reproductions are not used for marketing or advertising purposes. Press use is considered to be moderate use of images to report a current event or to illustrate a review or criticism of the work, as defined by the Copyright, Designs and Patents Act 1988 Chapter 48 Section 30 Subsections (1)-(3). Reproductions which comply with the above do not need to be licensed. Reproductions for all non-press uses or for press uses where the above criteria do not apply (e.g. covers and feature articles) must be licensed before publication. Further information can be obtained at www.dacs.org.uk or by contacting DACS licensing on +44 207 336 8811. Due to UK copyright law only applying to UK publications, any articles or press uses which are published outside of the UK and include reproductions of these images will need to have sought authorisation with the relevant copyright society of that country. The use of images for front covers may attract a fee and will require the prior authorisation of the owner and copyright holder of the work. Please contact Tate Press Office for such use: Call 020 7887 8730 or email pressoffice@tate.org.uk
Article thumbnail: Now You See Us: Women Artists in Britain 1520 - 1920 6 May ? 13 October 2024 Tate Britain, Millbank, London Maria Cosway, Georgiana as Cynthia from Spenser's 'Faerie Queene', 1781-82. Reproduced by permission of Chatsworth Settlement Trustees/Bridgeman Images Image from https://www.tate.org.uk/press/press-releases/now-you-see-us Terms of Loan These images are on loan to you, and are accepted by you under the following terms and conditions: - That the reproductions are accompanied by the artist, title, date, lender and copyright line; - That the reproductions are not cropped, overprinted, tinted or subject to any form of derogatory treatment without the prior approval of the copyright owner; - That the images are only reproduced to illustrate an article or feature reviewing or reporting on Now You See Us: Women Artists in Britain 1520-1920 (section 30 (i) and (ii) of the Copyright, Designs and Patents Act 1988); - That for online use the images are reproduced at 72 ppi with a maximum measurement of 25cm; - That any reproductions are not used for marketing or advertising purposes. Press use is considered to be moderate use of images to report a current event or to illustrate a review or criticism of the work, as defined by the Copyright, Designs and Patents Act 1988 Chapter 48 Section 30 Subsections (1)-(3). Reproductions which comply with the above do not need to be licensed. Reproductions for all non-press uses or for press uses where the above criteria do not apply (e.g. covers and feature articles) must be licensed before publication. Further information can be obtained at www.dacs.org.uk or by contacting DACS licensing on +44 207 336 8811. Due to UK copyright law only applying to UK publications, any articles or press uses which are published outside of the UK and include reproductions of these images will need to have sought authorisation with the relevant copyright society of that country. The use of images for front covers may attract a fee and will require the prior authorisation of the owner and copyright holder of the work. Please contact Tate Press Office for such use: Call 020 7887 8730 or email pressoffice@tate.org.uk
Article thumbnail: Michelangelo: the last decades Michelangelo Study For The Purification of the Temple ? The Trustees of the British Museum Provided by MHutt@britishmuseum.org
Article thumbnail: Michelangelo: the last decades Michelangelo Study For The Purification of the Temple ? The Trustees of the British Museum Provided by MHutt@britishmuseum.org
Article thumbnail: Expressionists: Tate Modern, 25 April ? 20 October 2024 Franz Marc Cows, Red, Green, Yellow, 1911. Lenbachhaus Munich Image from https://www.tate.org.uk/press/press-releases/expressionists-kandinsky-munter-and-the-blue-rider Terms of Loan These images are on loan to you, and are accepted by you under the following terms and conditions: - That the reproductions are accompanied by the artist, title, date, lender and copyright line; - That the reproductions are not cropped, overprinted, tinted or subject to any form of derogatory treatment without the prior approval of the copyright owner; - That the images are only reproduced to illustrate an article or feature reviewing or reporting on Expressionists: Kandinsky, M?nter and The Blue Rider (Tate Modern, 25 April ? 20 October 2024) (section 30 (i) and (ii) of the Copyright, Designs and Patents Act 1988); - That any reproductions are not used for marketing or advertising purposes.
Article thumbnail: Expressionists: Tate Modern, 25 April ? 20 October 2024 Franz Marc Cows, Red, Green, Yellow, 1911. Lenbachhaus Munich Image from https://www.tate.org.uk/press/press-releases/expressionists-kandinsky-munter-and-the-blue-rider Terms of Loan These images are on loan to you, and are accepted by you under the following terms and conditions: - That the reproductions are accompanied by the artist, title, date, lender and copyright line; - That the reproductions are not cropped, overprinted, tinted or subject to any form of derogatory treatment without the prior approval of the copyright owner; - That the images are only reproduced to illustrate an article or feature reviewing or reporting on Expressionists: Kandinsky, M?nter and The Blue Rider (Tate Modern, 25 April ? 20 October 2024) (section 30 (i) and (ii) of the Copyright, Designs and Patents Act 1988); - That any reproductions are not used for marketing or advertising purposes.
Article thumbnail: Antony Gormley?s Time Horizon at Houghton Hall Antony Gormley, Time Horizon, 2006, cast iron, 100 elements, each 189?53?29 cm. Installation Houghton Hall, Norfolk, 2024. Photographed by Pete Huggins Provided by dennis@boltonquinn.com
Article thumbnail: Antony Gormley?s Time Horizon at Houghton Hall Antony Gormley, Time Horizon, 2006, cast iron, 100 elements, each 189?53?29 cm. Installation Houghton Hall, Norfolk, 2024. Photographed by Pete Huggins Provided by dennis@boltonquinn.com